| NO!art + About + Navigation + Manipulation + Mail + ►Reload | ENGLISH | DEUTSCH |
 |
<<< >>> |
 |
 |
About
Biography
Exhibitions
Reviews
Works
NO!art
occupies
the strategic
juncture where
artistic production
and socio-cultural
action meet.
ERRO (born Guðmundur Guðmundsson in 1932 in Ólafsvík, Iceland) is a postmodern artist. He studied art in Norway and in Italy, and has resided in Paris, Thailand and on the island of Formentera for most of his life. In 1989 he donated a large collection of his works to the Reykjavik Arts Museum, which has put part of it on permanent display and opened a website where the whole collection can be visited.Took part in the Involvement Show in 1960 and other exhibitions of NO!art in the March-Group at Tenth Street, and also in group and one man shows in Gertrude Stein's gallery. Lives in Paris. ►WIKIPEDIA
2018 FLASHES OF THE FUTURE | Ludwig Forum, Aachen/Germany
2012 TRENTE TABLEAUX CARRÉS | Galerie Louis Carré, Paris
2011 PORTRAIT AND LANDSCAPE | Schirn Kunsthalle, Frankfurt/Main
2010 50 YEARS OF COLLAGES | Centre Pompidou, Paris
GLYCÉROPHTALIQUE 1981-2004 | Galerie Louis Carré, Paris
2006 THE FORGOTTEN FUTURE | Galerie Louis Carré, Paris
2004 MAO'S LAST VISIT TO VENICE | Vernon Center for International Affairs,
New York
2003 NO!art IN BUCHENWALD | Boris Lurie: Geschriebigtes ..., catalogbook,
Stuttgart
2002 NO!art and the Aesthetics of Doom | Iowa Museum of Art, Iowa City, IA
2001 NO!art and the Aesthetics of Doom | BLOCK Museum, Evanston, IL
1995 NO!art | Neue Gesellschaft für Bildende Kunst, Berlin
1988 NO!art anthology | Edition Hundertmark, Cologne
1961 INVOLVEMENT SHOW | March Gallery, New York
NO!art involved artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR
NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
