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NO!art
occupies
the strategic
juncture where
artistic production
and socio-cultural
action meet.
PAOLO BARATELLA, born in 1935, in Bologna, Italy. First paintings since 1959. Early engagements in political topics. 1970 took part in the exhibition "Kunst und Politik" in Karlsruhe, Wuppertal, Frankfurt and Basel.—Works as University lecturer in Milan. HOMEPAGE
2007 MILANO ANNI '60 | Spazio Annuncia, Milan (Groupshow)
2003 NO!art IN BUCHENWALD | Boris Lurie: Geschriebigtes-Gedichtigtes, Stuttgart
Contributions to the catalog book: ►23 OTTOBRE 1962 ►MERDA
2002 Arte Fiera, Bologna, Italy
Instituto di Cultura Laurentianum, Mestre, Italy (solo)
1999 Anticiper le Printemps, Musée Bertrand, Châteauroux, France
1996 San Francisco State University, San Francisco, USA
1993 Zeichnungen und so weiter | Galerie Eva Poll, Berlin, Germany
1990 Paolo Baratella: Zarathustra o del viaggio di ritorno. 4 motori per l'Europa,
Lombardei, Mailand, Barcelona, Montpellier, Genua, New York (solo)
Um konkrete Utopien in Kunst und Gesellschaft, Kunsthalle, Düsseldorf,
Germany, Museum für Gestaltung Zürich, Switzerland
1988 Art 88 | Los Angeles, USA
1986 Quadriennale, Rome, Italy
1984 Neue Gesellschaft für Bildende Künste, Berlin, Germany (solo)
1976 Künstlerprogramm D.A.A.D., Berlin, Germany (solo)
Akademie der Künste, Berlin, Germany (solo)
1975 Fremdarbeiter Situationen | Galerie Poll, Berlin, Germany
1974 A.R.C.2, Musée d'Art Moderne de la Ville de Paris, Paris, France (solo)
1973 Galerie Poll, Berlin, Germany (solo)
Mit Kamera, Pinsel und Spritzpistole, Kunsthalle, Recklinghausen, Germany
1972 35. Biennale Venice, Italy
1970 Kunst und Politik | Karlsruhe, Wuppertal, Frankfurt, Basel, Germany
/ Switzerland
NO!art involved Artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR
NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
