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NO!art
occupies
the strategic
juncture where
artistic production
and socio-cultural
action meet.
ISSER ARONOVICI, born in 1932, in New York. Since 1950 studies at High School of Music, New York, Cooper Union, New York, and Phoenix College, Arizona. Founder of the Cooperative Phoenix Gallery in New York, 1958. Edited 1966 the magazine Scab News. Founded 1972 the Happy Lands Gallery of Romance and Fun in New York. Since 1954 different one man shows and performances. 1954 Earth art, Apache Desert, Arizona and Grand Canyon. 1973 performance and dance at Unaworld Gallery, New York. Took part since 1960 at the Cooperative Galleries at Tenth Street, March Gallery and Gertrude Stein Gallery. True New York Art-Underground artist and writer of unusual talent and unique single-mindedness. Suicide February 10, 1994.
2002 NO!art and the Aesthetics of Doom | UI Museum of Art, Iowa City, Iowa
2001 NO!art and the Aesthetics of Doom | Block Museum, Chicago/Evanston
1995 NO!art | Neue Gesellschaft für Bildende Kunst, Berlin
1994 NO!art | with Boris Lurie and Aldo Tambellini, Clayton Gallery, New York
1988 NO!art anthology | Edition Hundertmark, Cologne
1973 PERFORMANCE & DANCE | Unaworld Gallery, New York.
1970 SURVIVING NAZI | essay
1970 DRAWINGS | Gallery Bieville | New Orleans
1969 PARTNERSHIT | essay
1968 MARBELS FROM COCKROACH | Peter Birnbaum Press
1966 ISSER ARONOVICI | Elizabeth Street Gallery, New York.
1961 INVOLVEMENT SHOW | March Gallery, New York
1954 EARTH ART | Apache Desert, Arizona and Grand Canyon
NO!art involved artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR
NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
