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1. The foundation is cultural and political. The foundation is allowed to interfere in cultural and social affairs.
2. In some instances the foundation can support left-wing radical projects in literature and film.
3. Absolutely no support may be given to careerists solely in pursuit of art world recognition. ► The support and initiation of revolutionary art and revolutionary culture is at the core of the foundations mission. (This core mission does not exclude the possibility of support for the work of particularly gifted artists in rare individual cases although these works are not deemed radical or revolutionary.)
A T T E N T I O N : ► Stuetzpunkt Foundation and the ► NO!art movement were destroyed by Gertrude Stein with her Boris Lurie Art Foundation. She grabbed with her lawyers one hundred million dollars from Boris Lurie when he was mentally incompetent in the hospital before he died. See ► MANIPULATION
|EXHIBITION CONTRIBUTIONS ▲|
Flashes of the Future | The Art of the ’68ers or The Power of the Powerless
Artists in the show: Georg Baselitz, Joseph Beuys, Bazon Brock, ►Günter Brus, Carlfriedrich Claus, Guy Ernest Debord, Niki de Saint Phalle, ►Erró, Valie Export, Hans-Peter Feldmann, ►Sam Goodman, Hans Haacke, Dieter Hacker, Richard Hamilton, Lynn Hershman Leeson, Edward Kienholz, Milan Knizak,, ►Yayoi Kusama, Maria Lassnig, ►Jean-Jacques Lebel, ►Boris Lurie (NO!art), George Macunias, Gustav Metzger, Yoko Ono, Nam June Paik, A.R. Penck, Sigmar Polke, Heimrad Prem, Martha Rosler, Eugen Schönebeck, Daniel Spoerri, ►Aldo Tambellini, Jean Tinguely, Günther Uecker, ►Wolf Vostell, Franz Erhard Walther, Peter Weibel, Vladimir Yankilevsky, HP Zimmer u.a.
1968 – No other year in the 20th century is given such a symbolic and iconic status, no other year is studded with myths, evokes associations, viewed with bias, and kindles emotions. A year in which protests, upheavals, and even revolutions took place in numerous countries around the globe: May 1968 stands for international youth and protest cultures in 56 countries, 22 European ones amongst them, but also for an art breaking out of its elitist ivory tower – parallel to this, masses of individuals in the Western world begin to strive for autonomy. It is first through the interaction between students, intellectuals, and artists that a cultural revolution capable of disrupting the authoritarian structures of societies in both East and West could take place. Above all, artists, declaring the artwork to be obsolete while in part working massively against the art market and a commercially utilizable commodity ‘art’, contributed significantly to the desires and the imaginative visions of the student movement finding expression in provocative and pithy signs and images and exerting power over reality (“all power to the imagination!”).
From the distance of half a century, 2018 is the perfect opportunity to take a comprehensive and transdisciplinary look at this key year of the twentieth century (and its place as the midpoint of a decade). The exhibition will show and analyze for the first time the ideas, actions, myths, and self-interpretations of this generation by concurrently looking at them through the mirror of artistic productions and practices. Ultimately, the aim is to provide a new and critical perspective on the years around 1968.
With generous support from the Ministry for Culture and Science of the State of North Rhine-Westphalia, the Peter and Irene Ludwig Foundation, the Kulturstiftung der Länder, and the LVR – Quality for People.
NO!comment: It's curious how the curators change the human art history for sponsoring by money makers and governement support.]
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|FREE STUDIO SPACE ▲|
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Artist Residency in Zurich | Deadline for applications: 31 May 2018 | The Artist Residency "Freiraum" provides rent-free living in a furnished, small attic room in the heart of Zurich, as well as the opportunity to network and discuss projects and ideas with the artists of the authors's collective index. If desired, our collective will also help organize a public event (e.g. exhibition, concert, panel discussion) for which we provide a small budget. Today, more than 40 artists from all over the world have profited from the program.
Delicatessen NO!art will never die FREIRAUM grant Black Panther Party
Wood machine Grass-roots Material Gaddafi Help Calvary Greetings
Handmade oil painting portrait Grats to Donald Trump
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